Tampilkan postingan dengan label Women's Writing. Tampilkan semua postingan
Tampilkan postingan dengan label Women's Writing. Tampilkan semua postingan

Senin, 12 Maret 2012

Tuesday Poem: A Syrian Poet in Homs - Tal al-Mallouhi

You will remain an example

I will walk with all walking people
And no
I will not stand still
Just to watch the passers by
This is my Homeland
In which
I have
A palm tree
A drop in a cloud
And a grave to protect me.

This is more beautiful
Than all cities of fog
And cities which
Do not recognise me
My master:
I would like to have power
Even for one day
To build the “republic of feelings.”

Tal al-Mallouhi
(Translated by Ghias al-Jundi)


Tal al-Mallouhi is a young Syrian poet and blogger, born in Homs, arrested aged 19 accused of spying for foreign countries and sentenced to 5 years in prison in 2009.   This is her brief biography from the internet:

“al Dosr al-Mallohi (al-Mallouhi) (Arabic: طل الملوحي ) born in Homs January 4, 1991. She is considered the World's youngest prisoner of conscience. On 27 December 2009, Tal was taken from her home by officers of one of the security offices in Syria because she has written poems about Palestine and social commentaries on her blog.  Since then, her parents don't know which security office has detained her nor where they can visit their daughter. Tal al-Mallouhi has been accused by the Syrian government of being a spy for the United States of America, and sentenced on February 15, 2011 to five years in prison.”



For more about her situation please look up English Pen who are trying to publicise her plight by sharing her poetry with as many people as possible.



For more Tuesday Poems please visit the Tuesday Poem website at http://www.tuesdaypoem.blogspot.com
where thirty poets from around the world post a poem every Tuesday.

And today the wonderful Michelle McGrane has featured my new collection 'Not Saying Goodbye at Gate 21' on the brilliant poetry site 'Peony Moon'.  Thanks Michelle!

Minggu, 05 Februari 2012

When Women Writers were Mad, Bad and definitely Dangerous.

The seventeenth century Margaret Cavendish - one of the very first women writers to publish her own work -  was known as the Mad Duchess.  King Charles II is alleged to have described her as ‘an entire Raree-Show in her own person - a universal masquerade - indeed a sort of private Bedlam-hospital, her whole ideas being like so many patients crazed upon the subjects of love and literature’. 

Although she lived like a nun, scribbling away in her study, so that even her ladies in waiting hardly saw her, she was still nicknamed ‘the Whore of Welbeck’. 

Margaret was born in Colchester in 1623, the daughter of a wealthy gentleman. She had a very eventful life - living through the English civil war.  Her family home was razed to the ground by Cromwell's troops, her mother imprisoned,  two of her brothers killed, and she escaped to France to join the court of Queen Henrietta in Paris, where she met her husband.  She was only a gentleman's daughter, Newcastle was a friend of the king and one of the greatest landowners in England, so there was a lot of opposition to their marriage.  It was a genuine love match - they lived in relative poverty and exile for 20 years before they were able to return to England. Newcastle (a cavalier author himself) encouraged his wife to write and paid for publication of her work.

The problem was that women in the 17th century were supposed to know their place, which was in the home, meekly, modestly ruled by their husbands - a state of subservience which had been ordained by God and could not be argued with.  But women did argue - and Margaret Cavendish was one of the most vocal. 

‘Men are happy,’ she wrote, ‘and we women are miserable, for they possess all the ease, rest, pleasure, wealth, power and fame, whereas women are restless with labour, easeless with pain, melancholy for want of pleasure, helpless for want of power and die in oblivion for want of fame; nevertheless men are so unconscionable and cruel against us as they endeavour to bar us of all sorts of kinds of liberty, as not to suffer us freely to associate amongst our own sex, but would fain bury us in their houses or beds as in a grave; the truth is we live like bats or owls, labour like beasts, and die like worms.’

The problem, Margaret identified, was lack of education.  Most women received their instruction from their uneducated mothers - ‘one fool breeding up another’ as Margaret put it.  The result was a spiral of ignorance.   There was also a lack of role models.  ‘What woman was ever so strong as Sampson, or so swift as Hazael?  What woman was ever so wise as Solomon or Aristotle, so politic as Achitophel, so demonstrative as Euclid, so inventive as Archimedes?’  If there had ever been such women they had left no traces to encourage their descendants.

Margaret became so notorious that when she visited London, Samuel Pepys was one of those who crammed the street to see her carriage pass by, with a crowd of small boys running after it trying to get a glimpse of so infamous a woman.

Why did she risk all this?  She confessed to an addiction to words, and being childless, she wanted to avoid the oblivion most women sank into when they died.  In a preface to her autobiography she penned a wistful apology.

‘Some censuring Readers will scornfully say, why hath this lady writ her own life?  Since none cares to know whose daughter she was, or whose wife she is, or how she was bred, or what fortunes she had, or how she lived, or what humour or disposition she was of?  I answer that it is true, that ‘tis to no purpose to the Readers, but it is to the Authoress, because I write it for my own sake, not theirs, to tell the truth, lest after ages should mistake in not knowing I was daughter to one Master Lucas of St John’s, second wife to the Duke of Newcastle.’



Margaret Cavendish ‘A Glorious Fame’ was my first published book, scribbled in the university library while my children were at school and when I should have been studying for my own degree.  It’s been out of print for a few years now and I am very happy to put it up on Kindle with a new, previously unknown portrait of the Duchess and her husband I found in a German art gallery.  Margaret deserves every little bit of fame she can get - we owe our own freedom to write, and publish what we write, to women like her, who risked their sanity and reputations to get into print.  However bad the current publishing industry, it isn’t as bad as that!

Margaret Cavendish:  A Glorious Fame  is available on Kindle at the introductory price of £1.54

Kamis, 19 Mei 2011

A Tale of Two Kathleens


I blogged a while ago about all the other Kathleen Jones’s out there on the internet and it was with great pleasure that I had an email - out of the blue! - from one of them,  whose life and work seem to echo mine uncannily, even to the point where she’s also known to friends as Kathy. I’ve been aware of Kathleen B. Jones’ work for a long time - she’s a respected American academic (Professor Emerita at the University of San Diego) with a long list of publishing credits, who also writes short fiction. Some of her titles are both fascinating and important eg ‘Women Transforming Politics’, and I really want to read her memoir ‘Living Between Danger and Love’ after reading the enticing blurb.

‘In a book that is part memoir, part personal essay, Kathleen B. Jones recounts riveting episodes in her own life that parallel Andrea O'Donnell's, a student of hers brutally murdered by her boyfriend. What emerges is a complex, hybrid tale of what Jones calls "unreasonable choices"—the kinds of choices that most of us feel we are expected to make between love and power, between care for another and care for ourselves. She provokes readers to consider the irony that our ideas and choices might prevent us from imagining and discovering social relationships of intimacy where love and power are not in conflict.’


Kathleen contacted me because she’s just started getting a website together and has a really good blog called ‘Writing Revolutions’. I’m hoping that she’s going to do a guest blog on mine one day soon - it’s really fun to have a double, especially one who writes so well!

Here’s the link to her website - http://www.kathleenbjones.com/ - though it’s not completely finished yet,

Also heard from Erin Lender - another blogger who visits my site sometimes - who has an interesting post on ‘15 writers with lives more interesting than fiction’ - I can think of at least half a dozen others to add to it, and I’m sure others can too - some writers, eg Catherine Cookson and D.H. Lawrence, had lives much more interesting (and sensational!) than the books they wrote.

Selasa, 23 Februari 2010

Self publishing and the London Writers' Club


Living in the north of England means that I don’t get to writers’ events in London very often. It seems unfair that so much of the networking and socialising happens there when so many of us live somewhere else. It can feel a bit like being the only girl not invited to the party! So I thought that I’d take advantage of being in London to do some catching up, and I’ve just come back from a very interesting evening at the London Writers’ Club, which meets in the basement of a bistro called Tibits just off Regent Street. It’s an interesting mix of authors, agents and publishers and the atmosphere is friendly and welcoming. The speaker was author Miranda Glover who writes contemporary women’s fiction and she was talking about the uncertain future for writers and the benefits of self-publishing. Miranda’s novels are published by Transworld, but she has just set up Queen Bee Press with a small group of fellow women authors and they’ve published their first joint collection of short stories called The Leap Year. There are twelve stories, each one set in a different country and each story features a woman going through some kind of transition. Apparently the book has done very well - reaching number 4 on the Amazon chart for short fiction. But it does help if you can get a quote by Kathy Lette on the cover! Networking, Miranda stressed, really does work.
With so many authors now without a contract, or writing the kind of books their publishers don’t like, self-publishing seems a very attractive option, especially now that it’s so easy to market a book electronically. It was a fascinating evening - and the wine was good too!